Their playlists are both varied and vibrant, running the gamut from Thai morlam and Bollywood beats to Turkish fuzz-folk, Russian synth disco, and pre-Khmer Rouge-era Cambodian rock. Souleyman's tracks are among a multitude of "international selections from all directions," most of which are culled from vinyl that Djent and special guests dig up from all corners of Earth. As such, the musician's hypnotic hybrids of electronic elements and traditional dabke sounds are regularly mixed into Djentrification's sets, particularly during his world beat dance night, The Palace, held on the last Saturday of every month at the FilmBar. Local crate-digging king Djentrification, however, is more than familiar with Souleyman. It shouldn't come as a surprise, considering that the Syrian-born electronica vocalist isn't on Beatport's Top 100, Billboard's dance music charts, or the radars of rank-and-file mixer monkeys eager to follow the latest trends.
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Your average club DJ has probably never heard of Omar Souleyman.
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Not that they're judging you or anything. And since the bar's nook-like stage shares a portion of the dance floor, you might wind up cutting a rug alongside that evening's performers. True, it may offer less space than other Valley dance spots, but the close-quarters action only adds to the intimate juke joint atmosphere of Char's, as does the sultry red lighting bathing its interior. As artists and acts like Laydee Jai, Larry Bailey, or Soul Power belt out their brand of rhythm and blues (as well as a variety of funk and Motown tunes), those who pack the place will boogie, bounce, or bust a move, particularly on its modestly sized parquet dance floor.
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Both happen quite frequently inside Char's Has the Blues during any of its nightly R&B shows or jam sessions. Maybe it's all the catchy hooks, fiery tempos, or infectious grooves inherent to the genre, but hearing a great R&B song has a tendency to get people in motion, whether they're shaking their tailfeathers or simply snapping their fingers to the beat. There's something about rhythm and blues music that makes one want to move and (quite possibly) groove. Thankfully, there's more than enough beefcake to go around. It's also a favorite dance destination for straight girls, who are equally eager to ogle some killer abs. The biggest crowds are on Saturdays during the "Dirty Boy Dance Party," where two-for-one cocktails and BS West's eye-catching crew of underwear-clad go-go boys are on tap all evening long. There's ample room inside the two-story club to accommodate a throng of gay males of every size and description who turn out to get down, hook up, or throw some back while bare-chested hunks behind the bar dole out drink specials and DJs fill the air with high-energy pop, house music, and Top 40.
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What really brings people into BS West, even more than its popular drag revues or male stripper shows, are its thrice-weekly dance parties held every Wednesday, Thursday, and Saturday night, when the place is packed with bodies and booty shaking. There rarely seems to be a dull moment at BS West after dark, thanks to its lively nightlife events and even livelier patrons, who flock to this Scottsdale gay bar in droves.